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archlute vs theorbo


Theorbo, large bass lute, or archlute, used from the 16th to the 18th century for song accompaniments and for basso continuo parts. Individual instruments will dictate where dampers are needed (and how effective they need be), but one rarely finds lautenwercke fitted with dampers on every string. Workshop. Not a single such instrument has survived, nor is any contemporary depiction known apart from a rough engraving of the early 16th century. The instrument is usually made with either a single or tripple rose. The craftmanship of lutherie enchanted Tihamer, who following his graduation as an instrument maker, decided to explore the construction of a lute-harpsichord. Click for larger image In an annotation to Adlung's Musica mechanica organoedi, Johann Friedrich Agricola described a Lautenwerk that belonged to Bach: The editor of these notes remembers having seen and heard a "Lautenclavicymbel" in Leipzig in about 1740, designed by Mr. Johann Sebastian Bach and made by Mr. Zacharias Hildebrand, which was smaller in size than a normal harpsichord but in all other respects similar.

Archlute, large 16th-century bass lute provided with additional bass strings, or diapasons, and producing a deeper sound that could be used in orchestral basso continuo parts. Vielle à Roue/Hurdy-Gurdy.

Other known composers of archlute music were Antonio Tinazzoli, Giuseppe Vaccari and Lodovico Fontanelli.

The Baroque Music Club has produced a recording entitled.

Vihuelas based on Iconography. Essentially a tenor lute with the theorbo's neck-extension, the archlute lacks the power in the tenor and the bass that the theorbo's large body and typically greater string length provide. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree.... Throat-singing is a style of singing in which a single person sounds more than one note at a time.

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Thick sticky clay or cement used to close up a hole or gap, especially to make something air-tight.

It is true that in its normal setting (that is, when only one stop was drawn) it sounded more like a theorbo than a lute. Thus lautenwercke are often smaller than their metal-strung relatives. The lautenwerck or lute-harpsichord differs from the harpsichord in several important respects. Fewer than ten lute-harpsichord makers are known, and there are reasonably detailed descriptions of instruments made by only two or three of them.

C.1610). Some living players are Edin Karamazov, Axel Wolf and Luca Pianca (the founder of Il Giardino Armonico), who predominantly play archlutes, and Paolo Cherici, Massimo Lonardi, Luciano Contini, Paul O'Dette, Jakob Lindberg and Nigel North, who use archlutes extensively.

Of the few attempts to reconstruct and record a lute-harpsichord, one of the more successful is the instrument built by the Hungarian player Gergely Sárközy, an initial sketch of which appears as the heading to this page.

The Theorbo illustrated has string lengths 82cm and 145cm for the diapasons.

It had six to eight single strings running along the fingerboard and, alongside them, eight off-the-fingerboard bass strings, or diapasons.

About 1700 James Talbot measured an 'Arch Lute' with this tuning: 55.

North points out the advantages of the theorbo as an accompaniment instrument: Often theorbos were single-strung, another difference with the archlute, which are double strung, except for the top course. Baroque Music Library Thus lautenwercke are often smaller than their metal-strung relatives.

Any resulting "over-ring" is likely to enhance the lute-like effect.

Lighter construction is made possible, enabling a lautenwerck to better respond to the less energetic gut string. The lautenwerck or lute-harpsichord differs from the harpsichord in several important respects. The lower pitched strings of the lute-harpsichord are thicker and under less tension - a technique known as "foreshortening".

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Vihuelas based on surviving instruments. GOTTFRIED SILBERMANN: Master Organ-Builder of the German Baroque. Text is available under the Creative Commons Attribution/Share-Alike License; additional terms may apply.

Individual instruments will dictate where dampers are needed (and how effective they need be), but one rarely finds lautenwercke fitted with dampers on every string. After Vermeer. Tonal variation is achieved by plucking the string at different points along its length.

Like a lute, a theorbo has a curved-back sound box with a wooden top, typically with a sound hole, and a neck extending out from the soundbox. Among the most important composers of archlute music in the 17th century we can name Alessandro Piccinini, Giovanni Girolamo Kapsperger (c. 1580 – 17 January 1651) and in the 18th century Giovanni Zamboni, whose set of 12 sonatas (1718, Lucca) for the instrument is extant, and Antonio Scotti and Melchiorre Chiesa, Milanese composers from late 18th century. Tonal variation is achieved by plucking the string at different points along its length. French. I currently build the following theorbos: Click on the images below to see a larger version.

Last updated Dec 28 2011. 5.000 € supplement for double bourdons (string length from 83 to 90 cm) 100 € Decorative options are the same and with the same prices as the theorboes. The sound quality is bright, despite its pitch, and carries well in an ensemble. Any resulting "over-ring" is likely to enhance the lute-like effect. A fretted stringed instrument, similar to a guitar, having a bowl-shaped body or soundbox. The BAROQUE MUSIC HOME PAGE - www.BaroqueMusic.org Learn how and when to remove this template message, Archlute by David Tecchler, ca. While historical references indicate differing approaches to design, there is general agreement that whereas harpsichords are designed to be strung in metal, the use of gut strings is of primary importance in a lute-harpsichord. Our editors will review what you’ve submitted and determine whether to revise the article.

This is one of its most important qualaties.

The lautenwerck or lute-harpsichord differs from the harpsichord in several important respects. Modern composers for archlute include Roman Turovsky and Konstantin Bozhinov. The archlute (Spanish: archilaúd, Italian: arciliuto, German: Erzlaute) is a European plucked string instrument developed around 1600 as a compromise between the very large theorbo, the size and re-entrant tuning of which made for difficulties in the performance of solo music, and the Renaissance tenor lute, which lacked the bass range of the theorbo. for a complete listing of all our Baroque Music pages. sportsherald Answer has 3 votes Currently Best Answer.

This requires that more space be given between adjacent strings to avoid interference. But if one drew the lute-stop (such as is found on a harpsichord) together with the cornet stop [?the 4' brass stop undamped], one could almost deceive professional lutenists.”.

The smaller had two 8-foot gut-stringed stops with a compass of about three octaves; in the lower two octaves these could be coupled with a 4-foot stop, by analogy with the pairs of octave-tuned bass strings (courses) on the lute. Free MP3 downloads, major baroque composers, and Bach of course.

The instrument is usually made with either a single or tripple rose.
Such modified instruments were called archlutes and included the chitarrone and the theorbo.…. Baroque Music Performance: "Authentic" versus "Traditional" His beautiful instrument gives a truly wonderful sound, very rich and sonorous but with a soft attack. Thick gut strings vibrate more vigorously than thin metal ones at higher tension. He clearly liked the combination of softness with strength which these instruments are capable of producing, and he is known to have drawn up his own specifications for such an instrument to be built for him by Hildebrandt.

As gut strings have more internal friction than their metal counterparts, they generally have less sustain. There is often confusion between classification of the chitarrone, theorbo and archlute. The lower pitched strings of the lute-harpsichord are thicker and under less tension - a technique known as "foreshortening".

Thick gut strings vibrate more vigorously than thin metal ones at higher tension.

There is often confusion between classification of the chitarrone, theorbo and archlute.

Much of the available information relates to three 18th century German instrument makers: Johann Christoph Fleischer of Hamburg, Johann Nicolaus Bach and the organ builder Zacharias Hildebrandt.

Other references however, make no mention of this feature and indicate the construction normally associated with keyboard instruments. arton.

This sort of elaboration is most often reserved for instruments having more than one manual. Like a lute, a theorbo has a curved-back sound box (a hollow box) with a wooden top, typically with a sound hole, and a neck extending out from the soundbox.

For all practical purposes, the chitarrone and theorbo are one and the same.

Among other instruments, he now offers two models of lute-harpsichord from his own workshops. Chiffonie. Lautenwercke often have more than one jack independently serving the same string. This is especially true of the soundboard, which can be half the thickness normally found in harpsichords.

This sort of elaboration is most often reserved for instruments having more than one manual.

Baroque Composers and Musicians - biographies and notes Internal structures placed below the soundboard are also found. It provides a firm foundation for an ensemble or soloist. Unlike contemporary keyboard instruments, it has a subtle graduation of dynamics from very strong to very quiet. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Where to next? It had two choirs of gut strings, and a so-called little octave of brass strings. sportsherald 9 year member 682 replies Answer has 3 votes.

Where to next?

Vihuelas. Below the soundboard of the instrument an oval resonator in the shape of a shell, resembling the body of a lute was attached. Archlute Large Theorbo or Chitarrone Small Theorbo Baroque Guitar Models. The lautenwerck also demands special attention concerning string layout. In addition there was a 4-foot metal-stringed stop, and the combination of the 4-foot and the 16-foot stops produced a "delicate and bell-like" tone. This provides many advantages, including greater transparency of sound and ease of playing slurs. The lautenwerck also demands special attention concerning string layout.

As nouns the difference between theorbo and lute is that theorbo is (musical instruments) a baroque lute having an extra set of open bass strings while lute is a fretted stringed instrument, similar to a guitar, having a bowl-shaped body or soundbox or lute can be thick sticky clay or cement used to close up a hole or gap, especially to make something air-tight. 14-C Theorbo Own Design  15 Ribs 760/1400mm, 14-C Theorbo 11-15 Ribs Veneered Neck and Pegbox single or triple rose. Individual instruments will dictate where dampers are needed (and how effective they need be), but one rarely finds lautenwercke fitted with dampers on every string.

Extreme foreshortening of the scale in comparison to the harpsichord, reduces the tension a lautenwerck must bear.
Any late Italian Baroque music with a part labelled 'liuto' will mean 'arciliuto', the classic Renaissance lute being in disuse by this time. The basic type closely resembled a small wing-shaped, one-manual harpsichord of the usual kind.

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