Patricia Hampl, Blue Arabesque: A Search for the Sublime (Harcourt, 2006), pp. 352, as Woman before an Aquarium, 1921. 91, as Femme et poissons rouges, 1921. Margrit Hahnloser-Ingold, “Collecting Matisses of the 1920s in the 1920s,” in Jack Cowart and Dominique Fourcade, Henri Matisse: The Early Years in Nice, 1916–1930, exh. Philadelphia Museum of Art, Henri Matisse: Retrospective Exhibition of Paintings, Drawings, and Sculpture, Apr. 34. Judith A. Stanford, Responding to Literature: Stories, Poems, Plays, and Essays, 4th ed. Translated as Matisse: Rhythm and Line (Clarkson N. Potter, 1987), pp. Even a decade later, while Matisse lived in the southern French city of Nice, these experiences would continue to transform his work. 139, as Femme et poissons rouges and Femme et poissons rouges (Woman before an Aquarium), 1921. 64–65, fig. 32, 33 (ill.), 57, as Woman before an Aquarium/(Femme devant un Aquarium—Mlle. 296; 329, pl. 1, 1952), p. 35 (ill.), as Woman Before an Aquarium. 63; pl.
In May 1906 and for long periods between January 1912 and February 1913, he traveled to North Africa. Translated as “Documentation: Catalogue des œuvres,” in Tout l’œuvre peint de Matisse, 1904–1928, ed. 40, cat. viii, no. 3 (Sept. 15, 1950), p. 57, as Woman before an Aquarium, early 1920s. Pia Müller-Tamm (K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 2005), pp.
cat. 2291, as Femme Devant un Aquarium. 1, 1933, cat. 150, nos. (Museum of Modern Art, New York, 1992), pp. 52; n. 36, fig. Pia Müller-Tamm (K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 2005), p. 369, cat. 115 (ill.), as Femme devant un aquarium/Frau mit Goldfischen, 1921–1923; Basel, Foundation Beyeler, Mar.
22, as “Interior” and Femme devant un aquarium. XX; 360, no. Catherine C. Bock-Weiss, Henri Matisse: A Guide to Research, Artist Resource Manuals 1, ed. ix, no. 17, as Woman Before an Aquarium, 1923. Frank Milner, Henri Matisse (Bison Books, 1994), pp. 179–80; 183, n. 32, as [no title] 1923. 22, 1923, no cat. “Woman before an Aquarium,” in Matisse Paintings, Works on Paper, Sculpture, and Textiles at the Art Institute of Chicago, ed. 200, 201 (ill.), as Femme devant un aquarium/Frau mit Goldfischen, 1921–23. 2 (Oct. 1980) p. 73, n. 5, as Woman Before an Aquarium, 1921.
“Calendar Highlights: Unknown Matisse,” Art Institute of Chicago News and Events (Jan./Feb. cat., ed. They appear in no less than nine of his paintings, as well as in his drawings and prints. 153, 154; [156] (detail); [157], fig. 1, as Woman Before an Aquarium, late 1921 or 1923. ; pp. 973–77; 678; 690, as Woman Before an Aquarium, Femme devant un aquarium (Woman Before an Aquarium), Woman Before an Aquarium (Femme devant un aquarium), 1923. 136; 182 (detail); 191; 192, fig. W. A. P., “Modern French Paintings: The Birch-Bartlett Collection,” Bulletin of the Art Institute of Chicago 17, no. The goldfish immediately attract our attention due to their color. (Minneapolis Institute of Arts, 1925), cat. Henri Matisse was fascinated by the cultures of North Africa and the Middle East. 200, fig.
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