get under the skin of anyone fostered on the relative safeness of traditional For the sake of completeness it has been composited into the master Acts of torture and mutilation are shown in graphic detail. bares all the grainy earmarks of just such a birth. ( Log Out / This movie is strictly an acquired taste. is the original television spot circa 1979, something which I'm amazed still Color, 1977, 77 mins. post-dubbed) mono soundtrack is still a bit hissy with the occasional crackle One is a nicely assembled stills collection that actually revolves around Roger By of the previous decade, the unnerving intensity of DEAD END STREET will undoubtedly A must-see film which never occurred. After being released from prison, a young gangster with a chip on his shoulder decides to punish society by making snuff films. The problems of filming with zero money are addressed, Released a few different times by various fly-by-night home video labels in small print runs under both “The Fun House” and LHODES titles, the film took in a few bucks for lower-than-the-bottom-rung VHS distributors, all working off a crummy, washed-out, who-knows-where-they-found-it print. composed film, adding a noticeable amount of picture information to the right, We then follow Terry as he rounds up a few old “movie business” associates of his, which culminates in the shooting of a snuff film, featuring a few people who f****d over Terry as its stars. the ridiculous prices the VHS prerecord was getting on eBay (over $100! In fact, it has to be said that the cheap (as in non-existent) production values (it was recorded silently, with voices dubbed in later and music and such sound effects as there are coming from library tracks a la George Romero) are one of this film’s greatest assets, as it literally feels like this film could have been found buried in a canister under the basement of a particularly loathsome vice den after a police raid. When people started coming up to him and asking if he was the guy they just way in that movie where everybody’s getting butchered up, though, he found out that the latest “Last House” rip-off he’d been seeing hearing ads for on the radio was, in fact, his film! (This version, the only one known to exist today, View cart for details. a real treat for fans -- close to 19 minutes of hitherto unseen footage culled It was picked up for a song by some Venezuelan TV network and ran as a midnight movie on that station for years, and throughout most of the 80s and 90s bootleg copies of the Venezuelan broadcast were almost the only way horror and sleaze aficionados could see the film. Hammer fans, take note: included are several behind-the-scenes his follow-up horror film SHADOWS OF THE MIND. The film's biggest drawback is the looped dialogue (it was actually dubbed twice, once without the director's blessing, as the liner notes helpfully explain); though the disembodied voices are fine once the mayhem gets underway, the technique is extremely distracting and amateurish during the protracted opening dialogue passages. As with the discs themselves, this is a valuable crash course in filmmaking as well as a tribute to a film few have seen but none will forget. Barrel Entertainment has done it again (their previous DVD releases include “Nekromantik” and “Schramm”), they’ve taken a filthy little horror film and given it the treatment that, for the most part, is reserved for big budget Hollywood releases. Issued by Sun Video on Beta and Another decked supplement unto itself is the booklet (a whopping 36 pages), in which Headpress editor David Kerekes discusses his own fascination with the film and interviews several of the principals including Ken Fisher (who plays Ken the sidekick and discusses the largely discarded slaughterhouse opening in icky detail), Ken Rouse (the hunchback), and Steve Sweet (the deer hoof guy). Kerekes, which details his personal obsession with the film and contains interviews It's an interesting way to see the man honing his skills, SUSPIRIA, and according to Roger it's in fact a short, complete sequence from as Richard Mahler (not, as reported in other sources, Richard Mailer -- who Your email address will not be published. Plotwise, things unfold fairly It was first screened in 1974 under the title THE CUCKOO CLOCKS OF HELL. First, we are treated to four pre-DEAD all that? The final and perhaps oddest piece is "5-25-88," a videotape fragment running about 20 minutes. An inferior region 2 release that’s edited even further (it’s only 74 minutes) is somewhat more readily available, but even that’s not cheap, and you’re getting a seriously lackluster product. an interesting peak at what could've been. I'll confess to you all up front, I was disappointed by "The Abandoned." Change ). with this deluxe package is a 36-page (!) previous releases.). He also dabbled in some documentary work, scriptwriting, THE LAST HOUSE ON DEAD END STREET is was a notorious, long-thought-to-be-lost horror film from 1972 made by a young filmmaker named Roger Watkins. Very entertaining, this extra gives the listener a revealing out. Watkins alleged that the film caused riots when subsequently shown in New York City and Chicago; it was apocryphally claimed that a theater in Chicago was burned down in a riot that occurred during a screening. (It needs to be noted that Format: DVD. Balun, this is definitely a fan's project and covers every bit of ground imaginable concerning this demented relic from an age gone by. being there to wrangle the commentary together so that it remained informative and even quite funny at times. Something went wrong. But the extras on this DVD prove otherwise. Noticing The final twenty minutes are the stuff of true nightmares, with the gritty film stock turning the tableaux of masked psychopaths into a hallucinatory spectacle like the unholy offspring of Derek Jarman and H.G. have my lighter most graphic setpiece -- with no way to differentiate by cover art! Seven minutes in, THE LAST HOUSE ON DEAD END STREET's Mission Statement is belted out, loud and clear. The contrast and colors are finally under control and look like actual film, mastered from a solid 35mm print. parts. be to shock audiences out of their seats, he gathered his friends and set out They get down to business making honest-to-goodness snuff films and show them to Hawkins’ unsavory contacts in the porn industry, who praise the his work for its “realism,” not knowing that they are, in fact, watching actual murders on film. Scratches and flaws appear regularly, but if you like your rough and nasty movies to look that way, too, you'll be pleased. Sporting phony credits and murky cinematography which only … sequence. the print used for this disc was missing the aforementioned 91-second entrail-slingin' film was in production. Also included - Last House on Dead End Street (DVD, 2018). admin DEAD END STREET represents the type of work that simply can't be planned -- His fuming thoughts serve as narration as we listen to him bitch and moan about how society and the Man have done him wrong. Given the falsified names of everyone on the credits, no one even knew who the hell to contact for any further information about the film, much less who actually made the thing!
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