Some directors don’t care as much about the look. They looked amazing and alien-like. changing I could have watched Benedict Cumberbatch and Jonny Lee Miller in a black box. Written and performed by Phoebe Waller-Bridge, this hilarious play inspired the hit TV series and is a rip-roaring look at some sort of woman living her sort of life. Childlike in his innocence but grotesque in form, Frankenstein’s bewildered creature is cast out into a hostile universe by his horror-struck maker. We got enticed by the mechanics of the Olivier’s drum revolve, too, which we brought back into use.
This recording has been adjusted for YouTube. We had to be economical because there were so many things to do. Both Danny and I started out in theatre and then spent years working in film. Presented by DryWrite, Soho Theatre and Annapurna Theatre. Frankenstein is a stage adaptation by Nick Dear of Mary Shelley's 1818 novel of the same name. Available for everyone, funded by readers. It The most viscerally exciting and stunning show in town. Benedict Cumberbatch and Jonny Lee Miller each took on two roles for the monster hit production of Frankenstein. Opening Hours This site requires cookies, for account access and ticket
Our play was really like a road movie, a journey from one landscape to another.
If you continue to use this site we'll assume you're happy with this. So we had fire, rain, the earth and a sense of discovering nature, finding the world through the smell of the grass and the feel of heat. It's stylish, ambitious and looks astonishing. We erected a giant structure on the ceiling, with around 3,500 old lightbulbs lit up, stretching across the stage and the auditorium. ... National Theatre Live is the National Theatre’s groundbreaking project to broadcast world-class theatre to cinemas in the UK and internationally. Filmed live in 2011 from the stage of the National Theatre in London, this thrilling, sold-out production became an international sensation, experienced by more than 800,000 people in cinemas around the world. Photograph: Tristram Kenton/The Guardian. Rather than the mythical business of lightning and thunder, we show power generated through electricity as a fantastical thing. At a time when many theatre fans around the world aren’t able to visit National Theatre Live venues or local theatres, we’re excited to bring you National Theatre at Home. It was a refreshing view and just as scary.
It’s a tricky business knowing how much to put on to a stage and how much to let it breathe.
The best of British theatre. The smash-hit play based on the beloved novel by Michael Morpurgo, adapted by Nick Stafford in association with the Handspring Puppet Company. It was a lot of fun getting that structure to work. Make a donation and support the National Theatre on the road to recovery, NT Online Shop - buy great gifts and help the National Theatre, Click here to request a link to set a new password, Annual review 2018-19 (opens a new window), Donation and Sponsorship acceptance statement, changing Running Time: 2 hours, Relive the memories of National Theatre at Home. James McAvoy returns to the stage in Martin Crimp’s inventive new adaptation of Edmond Rostand’s classic play. There were many ideas about how we might give birth to the Creature. We erected a giant structure on … © 2020 Guardian News & Media Limited or its affiliated companies.
looks like cookies are disabled in your browser. There will be half a dozen images in his head before I even get involved, and they stay throughout the project. At one of the previews, someone in the audience actually pulled on it – she jumped out of her skin at the noise. Learn the benefits, 30 April to 8 May 2020 We had seen an exhibition by an artist who filled sacks full of seeds and hung them. The scale of the space gives it a presence, like a sort of landscape. Some of the best British theatre was free to watch from the comfort of your living room, via YouTube, with each title available for one week. If you look at the mid 19th-century [Frankenstein was published in 1818], electricity has an extraordinary change on society. I remember sitting there, looking at Benedict Cumberbatch coming out of it and thinking to myself: “Mark, what are you doing?”.
A thrill… the most viscerally exciting and stunning show in town.
A co-production from The Old Vic and Headlong. Academy Award®-winner Danny Boyle (Slumdog Millionaire, Trainspotting) tells us about directing Nick Dear's stage adaptation of Mary Shelley's thrilling and deeply disturbing classic tale, Frankenstein. The elements are used strikingly but very sparingly in the showThat came out of Nick Dear’s script. So it was extraordinary fun to be back in theatre, where you can evoke ideas in minimal ways. He’ll come to the first meeting with a pile of books and images to discuss. We were also referencing the Swedish vampire film Let the Right One In, which replaced the darkness of a gothic story with a white wasteland. your browser cookie settings. Andrew Scott stars in Noël Coward’s provocative comedy, a giddy and surprisingly modern reflection on fame, desire and loneliness. On a cinema screen near you. Thank you to all the amazing artists who have allowed us to share Frankenstein in this way, during a time when many theatre fans aren’t able to visit their local theatre. National Theatre Live makes its celebrated 2011 production available free for online platforms but, rather like Frankenstein's Creature itself, its reviving isn't without its issues. Read what they do here. For the latest updates about live broadcasts or encore screenings near you, get our newsletter. Order posters from the 1960s to the present day, printed on semi-gloss art paper. We’re all about experiencing theatre together. The design palette is predominantly grey, white and black but there is a deep red colour in the opening scenes, when the Creature is bornWe wanted a sense of life and had looked at some images of an icy landscape with a drop of blood in the middle; that juxtaposition between the richness of the heat of the blood and a frosty cold world. It’s quite a precious piece but they loaned it to us and we hung this ancient bell above the audience. Find out more about When all of the lights were on full it was blinding – and they hung so close to the audience that they could even feel the heat from them. your browser cookie settings. The Olivier stage is vast and often quite empty in Frankenstein, which exaggerates the sense of lonelinessWhen we first looked around the Olivier, it was stripped bare because it was in between productions. As Danny Boyle’s production is streamed online, its set designer Mark Tildesley recalls putting thousands of bulbs and an ancient bell to shocking effect, •The best theatre and dance to watch online•The best arts and entertainment during self-isolation, Tue 28 Apr 2020 03.00 EDT Frankenstein typically brings to mind gothic imagery and schlocky horror films.
Many of your ticketing questions will be answered in the tickets section of the Help Centre. We also referenced the transformative use of steam with a steampunk section in the play. It was inspired by a Jeff Wall photograph that was based on Ralph Ellison’s novel Invisible Man, depicting the character in a room full of bulbs. National Theatre Live: Frankenstein | Trailer Watch the video. All rights reserved. Available until 7 May. The actors were brave – they were almost naked and it had lots of cold liquid inside it.
What is he like as a collaborator?I love working with Danny. The steampunk section from Frankenstein at the National Theatre in 2011. The actors complement each other perfectly. purchasing. Production photos of Frankenstein by Catherine Ashmore. Theatrically-themed gifts, inspired by our plays, our building and our friends, Don't have an account? But what was it like, alternating characters each performance?
You have worked with director Danny Boyle several times. The structure that the Creature emerges from combines an idea of embryonic skin and birth with Leonardo da Vinci’s Vitruvian Man figure. One of our first thoughts was: what is the source of power that would allow this life force to be regenerated? National Theatre at Home: Frankenstein Filmed live in 2011 from the stage of the National Theatre in London, this thrilling, sold-out production became an international sensation, experienced by more than 800,000 people in cinemas around the world. From a designer’s point of view, that’s very exciting. Did you set out to declutter the story of those ideas with your design?Yes, we walked away from a classic gothic re-enactment. He is very visually astute. The best theatre and dance to watch online, The best arts and entertainment during self-isolation. Both versions of Frankenstein were made available to watch on the National Theatre’s YouTube channel:
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